Saturday, October 18, 2008

Killbear Sunset

Killbear Sunset holds many fond memories for me. We have camped at Killbear Provincial Park, with my extended family, on and off for the past 25 years. This year, for the first time, I went on an Art Tour with my sisters, mother and niece. The Art Tour inspired me to paint the following four paintings. Watching the sunset at Killbear, on pretty much a daily basis, is a tradition that we have observed through the years. It never loses its appeal for me to finish up with dinner, take my coffee down to the rocks on the beach and enjoy the beauty of creation and the fellowship with family and friends after another wonderful day at Killbear.

The Killbear Tree

The Killbear Tree is a painting of what I would consider the landmark of Killbear Provincial Park. Over the 25 years that we have continued to return to the park, we have seen this tree grow from a sapling to what it is now. We have countless photos of this tree so I thought it was time to do a painting. The clouds in the background remind me of the many times we have sat on the beach in full sunshine and observed rain and storms make their way around the entire bay and miss the park completely. There have also been times that we have watched the storms develop; as the skies turn from blue to grey to turquoise to black. Georgian Bay definitely has many faces!

The Killbear Tree 2

The Killbear Tree 2 is, as the title suggests, my second attempt at painting this particular landmark. While we were on the Art Tour in Parry Sound I made a point of checking out the titles of the watercolor books that the various artists had on their shelves. There was one particular book, The Watercolorist's Essential Notebook - Landscapes, that appeared several times so I borrowed it from the library. As a result for this painting I used some of the techniques described in the book.

Beaver Dam Beach

Beaver Dam Beach is a scene I get to look at as I sit on the beach at Killbear. It is a scene that always thrills and inspires me.

Thursday, October 16, 2008

Farewell to Summer

Farewell to Summer was copied from a photo that I took in my garden one September afternoon. It was the second day that my children were back at school and as I sat in my garden and observed the activity going on around me, I thought that butterflies on the different flowers would make some interesting photos. When the boys returned from school and asked what I had done with my time they were quite surprised to hear that I had spent time taking pictures of butterflies. Using a very sarcastic tone of voice my one son asked if I chased after and caught them too! Oh the youth of our day ... no appreciation of the simple beauties that surround us!

Farewell to Summer - Mini

Farewell to Summer - Mini is a smaller, close-up version of the previous painting of the monarch butterfly sitting on Helenium flowers. As you may have noticed with the previous painting this series of paintings was done in acrylic paints. I had bought some acrylics for another project and decided that I would try my hand at doing a painting with them. They are a nice change from watercolour since they are so forgiving! I think I changed my mind about how to do the background in the previous painting three times and could actually get away with it, whereas with watercolours that is impossible! It is interesting to hear different people's reactions to the different media. I tried to reproduce Farewell to Summer in watercolour but considered my attempts rather dismal but a friend of mine preferred that to the acrylic. Judging from different people's reactions to all of my paintings, I am beginning to think that people are either drawn to watercolour or to acrylic paintings. For myself, I think I would have to say I appreciate the skill and technique needed and used in both mediums.

Farewell to Summer 2

Farewell to Summer 2 is copied from another photo that I took in my garden on a sunny afternoon in September. I found that the orange of the butterfly was quite striking against the white of the Garlic Chive flowers. You may be wondering why the dark background in this series of paintings. To be honest I don't really know myself but in my mind's eye, as I contemplated doing these paintings, the background was always a dark blue colour. Primarily, I feel that it brings out the subject clearly since blue is the complimentary colour of orange. My husband's comment was that when he thinks of butterflies he thinks bright sunny days not dark moonlit nights as these pictures seem to indicate. My response was (to sound artsy and all) that the darkness was the tension in the picture that will keep you coming back to it. Actually, I think the dark moonlit or dark forest aspect of the painting gives it a 'magical fairy-like' quality.

Farewell to Summer 2 - Mini

Farewell to Summer 2 is a close up, mini version of the previous painting. It is an interesting exercise to try to reproduce a painting since it gives you another stab at trying to perfect your technique on the different elements of the composition. I found that there are some things in this painting that worked better than the larger one but there are other aspects that I prefer in the larger one.
I am hoping to paint two more mini butterfly paintings then will mat and frame all four minis in one frame.

Tuesday, October 7, 2008

Cape Hatteras House

One thing a painter should practice is to paint 'au plein air' which means to paint outside or directly from a model rather than always from a photo. I decided to try my hand at this during the spring and summer of 2007. When we went to Cape Hatteras, North Carolina I brought along a small watercolor pad and a small painting palette. Cape Hatteras House is the house next door to where we were staying. The next three paintings were all done 'au plein air'. I have had varying successes with my 'plein air' paintings; these are probably my best ones so far.

Deck Chairs

These chairs were located on one of the three decks at the house that we rented in Cape Hatteras. The fact that the chairs were out of the wind was one thing that attracted me to this spot. However,the main thing that I wanted to capture in Deck Chairs was the cast shadows of the deck railing and over hang. I spent an enjoyable morning doing this painting while the others were out kite surfing.

Friday, October 3, 2008

Early Morning Reflections

Early Morning Reflections was painted at one of my favorite spots - Killbear Provincial Park. As the title suggests this was painted early one morning, before breakfast while sitting on the rocks looking down over the bay. It was so peaceful and relaxing.

Nathaniel

Nathaniel is a painting of a young boy who attends my church. My son took a photograph of him several years ago which I had always thought would make a good painting. Finally, while on vacation in Cape Hatteras, North Carolina this past spring I got around to painting it. Nathaniel and the following painting Resilience are both experiments in painting portraits since I have never really done that type of thing before.

Resilience

Resilience was copied from a black and white brochure which I received at church for Aids Awareness Sunday. I was attracted to the look of courage on the girl's face. Also, soon after I painted this picture I read a book about a black slave girl and her courage and resilience which made me think of this painting: hence the title Resilience. Another factor that inspired me to paint this picture was a retired woman in our town who took up photography and traveled to Africa to photograph the people there. She now sells her work to raise money to build wells for the villages in Africa so that the people can have access to clean water. Her photos are awesome! I truly admire her for what she is doing.